• THE COMPOSER’s EDUCATION IS PERSONAL AND ORAL

      The true education of composers is on its biggest and most essencial part not to be found on texts or videos , but training and ORAL coaching. Here is a worksheet I made for a student. The lesson is not there, but in his fingers and memory. Most people waste tons of money on offline courses where the teacher is not even LIVE and present; they have ZERO idea about how the classic education of a music composer works. They are more influencial than the most respected music theorists of the last century and build a generation of decadent…

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  • THE COMPOSER’s EDUCATION IS PERSONAL AND ORAL
  • HOW TO USE GOOGLE DRIVE WHILE NOT USING IT?
  • The Problem of Tribal Signaling in Art (The ultimate renaissence man kiler)
  • Protected: MYTH & ANCIENT ROM: If you don’t map the chaos, the chaos gonna map you (PODCAST LM)
  • Music Academics have Good reasons to Hate Youtubers (PODCAST)
  • Sight-Reading Advice (Prima Vista)
  • WHAT DEFINES A MODULATION TYPE
  • MOCKUP & CHAMBER MUSIC
  •  Mastery of Film Scoring Requires Mastery of Improvisation
  • Bernhard Hermann beyond Hitchcock’s Vertigo: is Hangover Square his True Masterpiece?
  • Lutoslawsky : a Post-Modern Lyricism?
  • STRING QUARTET MIDI: how the pros handle this challenge
  • Fundaments of (my) Musical Pedagogy
  • Origins and Meaning of Antiphony in Orchestration
  • The Chord of 13th in the Early Classic Period
  • COURSES
  • POSTS
  • VIDEO
  • |   Emanuel M. Fróes
    • MIDI SERVICES

KOMPOSITORIUM

  • COURSES
  • POSTS
  • VIDEO
  • |   Emanuel M. Fróes
    • MIDI SERVICES

KOMPOSITORIUM