Category: Uncategorized
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ANALYSIS: Different Use of Chromatic Mediants
Note: The modulation at the start (at 3:00) is not to the region of chromatic mediant, but to menor relative (D Minor). It feels however like a modulation, because the half-cadence is D Minor is here not so clear stated as well: we have F and A in the strong beats, while Dm is on…
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Zwei Vorschläge für Jazzkeyboard
https://youtu.beJrIcoFcnjE?si=4SZ70Qud-K8EgPO https://youtu.be/K_ynvabf3lg?si=vnkWUyYIvWExMWUB Ich habe das meinem Schülern heute zur Inspiration gegeben
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CONCERTO MODEL
A model should not be confused with the description of the musical form or genre. In this sense, this model here should not be confused with an archetypal description of the italian concerto. By “Model” i mean a structure and pattern of improvisation that has didactic value with the minimum acceptable artistical value. This means, something…
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Tristan Chords
The examples of the Tristan Chord should be rather called Tristan Voice-Leading. I say this because the most interesting and defining aspect of this passage is the voice leading and how it affects the emancipation of dissonance, not the chord type. Perhaps we should rather consider more the Tristan-Chords: the paar of half-diminished + dominant…
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EARTRAINING: The Intonation Scheme
After experimenting the challenges of teaching basic musical education and trying to figure out how I learned it, I figured out that the main problem might be the lack of clarity about how to practice it. This picture shows the main scheme for intonation. This means: the goal here is to get 1) pitch right…
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Where do the do-re-mi names come from?
The names we use in solfeggio came from this hymn used by the very inventor and teacher that invented the notation as we have today, based on clefs and lines. The practice of singing with these names is called solmization. https://youtube.com/shortstRINO66Ags?si=ozTWY40d6ZQQrJR
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EARTRAINING first inversion
How many sixth-chords are there?
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Empfehlung für Musikkunde
Bezahlt: https://www.amazon.de/Allgemeine-Musiklehre-Hermann-Grabner/dp/3761800614 Kostenlos: https://www.musik-verstehen-lernen.de/index.php/tonsysteme-tonarten
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ANALYSIS: Mixolydian or Half-cadence?
This cadence of Muffat (toccata sexta) on c major chord after a dominant seventh highlighted by a trill is a charm to our modern years: it is either too close nor too open. I see this as mixolydian cadence because of the dissonance in the ante-penultima.