Category: Uncategorized
-
My orchestral music is very thankful to this:
Despite I do not hold my self as an “orchestrator” I had opportunity to study for a while with one of the great theorists of orchestration alive (Etrgl Sevsay) however the most important knowledge I acquired about the topic let be resumed in a french book about the symbolism of orchestration that I read before entering…
-
THE CONCEPT OF CADENCE
Which of the alternatives below defines the tonal cadence best?
-
SKETCH & ANALYSIS in Logic Pro
A powerful analytic workflow is to use regions as markers. This allows more flexibility than the conventional markers of the global window. For example in terms of colors: you can activate the track or deactivate it, depending if you want a discrete or colorful presence of the markings. To create the regions you can just…
-
Practice of C.F. Augmentation
– Keep scales on counterpoint so much as possible – Use thirds and small leaps to avoid dissonant collisions – Use big leaps to correct the distance between voices -Big leaps are compensated in opposite direction – Any group of 4 notes can be sequenced from one consonant harmony to the next one ( beat…
-
COURSE
Follow the collections to learn in order. Each post is about something you might want to work on for one week at least or more. The courses are not complete. These are samples. The “complete” courses and appropriated content are the private lessons!
-
New Patreon
Welcome to Christian https://youtu.be/HDUwg8v3k5Q?si=j81dZ_PfcALXkLWT
-
PRACTICING FUGUES
How to practice fugues? I asked this question myself many times. I also checked the answers of important improvisers. But normally they are NOT aware of how much music they have running through their blood and through they mind at unconscious level. For this I created a 50 min. video lesson that I recorded today…
-
6 LAWS OF IMPROVISATION (e. Froes)
For any successful practice and performance: 1. MEAN-ING : Only hear internally what is felt or thought 2. EAR: Only play what is heard internally 3. SELF-AWERENESS : Only play what a) your finger technique and b) concentration can afford 4. SIGHT-READING: The performance of your technique and concentration is proportional to the quality of…
-
Mozart’s Emancipated Dissonance (Adagio C Minor)
Hard to tell how much I love this detail. Play it. This is a resolution into dissonance. We hear a tetradic harmony in a very similar way as the emancipated tetradic harmony of Wagner, when the status of dissonance of the fourth chord note starts to vanish.
-
THEMES audio
Useful themes (mostly original) in different styles to practice different disciplines, especially improvisation. https://drive.google.com/drive/folders/1cWzWBk8J59mUnO_RFoTuEvP4zpK9raN6?usp=sharing