EARTRAINING 1: Harmony (in progress)

Overview
Curriculum

 ๐ŸŸข Exclusive pedagogy tested in real life lessons by choir conductor and transcriber for the Yousician App 

๐ŸŸข Original examples with different instruments gives you an unity according to my composition praxis

๐ŸŸข Careful disposition of harmonic material that triggers the inspiration for your first composition exercises  

 ๐ŸŸข The course is symmetric to my harmony course: keep theory, practical competence and creativity so close to each other as possible!

Curriculum

  • 12 Sections
  • 6 Lessons
  • 17 Quizzes
  • 0m Duration
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Instructions
1 Lesson1 Quiz
  1. General Instructions
  2. this quiz is here to wish you good luck
Cadences in Major
3 Quizzes
  1. Minor and Major Triads
  2. T,S,D root position – PAC and IAC cadences
  3. Major half-cadence vs. authentic cadence
Cadences in Minor
3 Quizzes
  1. T,S,D root position in minor cadences
  2. T,S,D root position in minor half-cadence vs. authentic cadence. Identify the position
  3. T,S,D root position in minor: Half-cadence
INTRODUCTION to SIXTH-CHORDS
1 Lesson
  1. Root position vs. Sixth Chords in General
SIXTH-CHORDS in Major
1 Lesson2 Quizzes
  1. Primary Sixth-Chords in Major (comming soon)
  2. SIXTH-CHORDS vs. Root Chords
  3. Sixth-Chords Intervals in Free Context
SIXTH-CHORDS in MINOR
1 Lesson1 Quiz
  1. Primary Sixth-Chords in Minor
  2. Sixth-chords vs. Root Chords
4/6 Cadences
2 Lessons2 Quizzes
  1. Cadencial 4/6 Chord
  2. Cadencial 4/6 Chords in Major
  3. Cadencial 4/6 chords in minor (Model)
  4. Cadencial 4/6 Chords in Minor
MODULATION with MAIN FUNCTIONS
2 Quizzes
  1. Modulation to D vs. S
  2. Modulation to Tp vs. Sp
ASSIGNMENT: CHORD CHART TRANSCRIPTION
DIMINISHED CHORDS
1 Quiz
  1. Diminished chords vs. abbreviated dominant seventh chord vs. diminished 7th chords
MAIN FUNCTIONS in TETRADS
2 Quizzes
  1. Tetrads in Triadic Harmony
  2. Triads in Tetradic Harmony
SECONDARY FUNCTIONS
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Last Updated: June 3, 2025

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EARTRAINING: The Intonation Scheme

After experimenting the challenges of teaching basic musical education and trying to figure out how I learned it, I figured out that the main problem might be the lack of clarity about how to practice it.

This picture shows the main scheme for intonation. This means: the goal here is to get 1) pitch right and 2) the names right . But I add still a key component that most methods forget: to get a feeling of the intervallic structure and degrees of the scale right! For this we have the numbers there.

The slur helps to know where to sing. The exercise can be made with fermatas or not. But if you sing in tempo, you must be musical.

Only after you are musical, you can go to the next level of difficulty.

This should be used interactively in lesson in diverse ways.

The teacher can hide the name of notes, or ask the student to sing leaps starting from C. Details about how I use this I can give later.


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